Oda Lounge Chair

Oda Lounge Chair

Designer Arnold Madsen

Product image not found

Product image not found

Oda Lounge Chair

Oda Lounge Chair

Designer Arnold Madsen

Material

Selected:  Natural Oak

Color

Selected:  Hallingdal 65 600

Regular price €4.440
Regular price Sale price €4.440
Ready to ship in: 5 weeks
Store locator

SKU 71165-004684

Oak or Walnut, Steel, Solid beech, plywood, cold foam, linen, quilt foam
H: 93 cm
SH: 39 cm
AH: 57 cm
W: 87 cm
D: 100 cm

Originally dubbed Model 9, the Oda Chair was an ambitious design from the very beginning. Created by Arnold Madsen in around 1956, the aesthetic reinterpretation of an armchair has a complex horseshoe construction with an integrated headrest and beautifully incorporated armrests in wood. Offering comfortable support, the embracing design was initially – and mistakenly – attributed to Nanna Ditzel. In 2020 it was rightfully credited to Madsen. Constructed according to a vintage version as there are no drawings of the original design, the Oda Chair profiles a sublime level of craftsmanship, evident in the intricacy of its upholstery. Available with legs in natural oak or walnut.

View full details

ABOUT THE DESIGNER

Arnold Madsen

Arnold Madsen (1907–1989) remains an underrecognized figure of the Danish Modern era, despite creating iconic furniture. Born in North Jutland, he worked as a sailor before emigrating to Canada, where he lived as a cowboy and rodeo rider. After returning to Denmark, he trained as an upholsterer and, in 1945, co-founded Madsen & Schubell with Henry Schubell, producing successful designs until the mid-1960s. Unlike many peers, Madsen wasn’t formally trained in design or architecture. Quiet but determined, he pioneered experimental furniture focused on round forms and elegant, comfortable construction. His Oda Chair showcased innovation with a welded steel frame and bent plywood shell. He also designed the Clam Chair in 1944, often misattributed to Philip Arctander. Similarly, the Oda Chair was long credited to Nanna Ditzel, but both are now recognized as Madsen’s work.